Venice House by Lewin Wertheimer Architect
American architect Lewin Wertheimer has designed this contemporary house in Venice, California.

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Venice House by Lewin Wertheimer Architect
The house is a 3100 square foot single family residence located in Venice Beach, California. It is located in a quiet pocket of Venice on a corner lot just blocks from Marina del Rey and the popular Abbot Kinney Blvd. It consists of an open downstairs plan with a detached two car garage off the rear alley and 3 upstairs bedrooms and a guest house/studio, and 3 1/2 bathrooms, including the guest house/studio. The 5000 square foot corner lot is larger than the typical Venice lots and allows for maximum light and air exposure as well as a complete indoor/outdoor experience with the front yard, porch, patio, pool and garden space.
The house was stylistically conceived as a hybrid of early modernism, influenced by architects such as Rudolph Schindler, and contemporary Japanese, Mediterranean and Californian architecture. These styles respond to the climate of Southern California and the eclectic nature of Venice Beach.
The structure is organized with a series of L-shaped spaces with glazed corners creating diagonal views which accentuate the depth and maximize the expansiveness of the limited lot dimensions and blur the interior/exterior boundaries. These glazed corners include two 8 feet wide by 11 feet high steel and glass sliding pocket doors in the living area which open onto the pool patio. The clear central longitudinal circulation with perpendicular vertical stair and the open plan minimizes the amount of space devoted solely to circulation.
These L-shaped forms repeat in the plan and both exterior and interior elevations to create a three dimensional harmony of form and proportion.
There were a minimal amount of materials used and all chosen in order to maintain a consistent visual flow and experiential peacefulness. Finished concrete was used on the ground floor for its durability and its ability to be used both inside and out. Stained Mahogany wood windows, doors, cabinets, siding and second level floors was used again for its durability and to create a warm textural counterpoint to the concrete and drywall. Light blue and green glass tile was used inside and out to bring the color of water to all water locations such as the kitchen sink splash, bathrooms and pool.
The house is heated with radiant floor systems, the pool water is heated with solar panels and the domestic water is heated with tankless heaters. The house is powered by photovoltaic panels located over the studio/guest house roof. The landscape is all drought tolerant with an eclectic mixture of native and Australian species of shrubs, trees and ground covers and exotic succulents.
Visit Lewin Wertheimer’s website – here.
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Seamus on 17 Aug 2010 at 5:45 am #
It looks like it was built in the 50s
Jimw on 17 Aug 2010 at 6:08 am #
Folks…we have a winner!
Beautifully orchestrated project. The composition is masterfully executed. Materials, finishes, detailing, furnishings are thoughtful, appropriate, and “liveable”.
Before even reading the narrative, I knew Mr. Schindler would be proud.
Great on 17 Aug 2010 at 6:49 am #
Beautiful structure.
Mediocre furnishings.
M Ludwig on 17 Aug 2010 at 10:53 am #
Wow, beautiful home, i absolutely LOVE the kitchen, it is beautiful…. the architecture throughout the entire house is unbelievable!
Scott on 17 Aug 2010 at 11:45 am #
Amazing home. Thinking about pitching a tent in the back yard and maybe eventually owning it via squatters rights.
TW on 17 Aug 2010 at 8:03 pm #
Nice paired back detailing.
And despite its size (about 30% bigger than the average american house) still feels modest and comfortable.
Jonathan on 18 Aug 2010 at 12:26 am #
I’m with JimW on this one.
Beautifully restrained.
kmg on 20 Aug 2010 at 3:55 pm #
Interior seems a bit overly appointed to me…
Composition is “contemporary”, rather than modern… (which makes my bias apparent, I’m sure). The interior geometries are blocky (lintels, platforms, sheetrocking, flue – feels sophomoric to me). And what with the surfeit of wood finish…?
The exterior seems to be a blend of Florida Art Deco, fenestrations by Swatt Architects, and Spanish white stucco. Works, I suppose, if you like that sort of thing…
My complaints are of course stylistic… but I disagree that this palette is awfully sophisticated, restrained, or imaginative.
LS on 09 Oct 2010 at 8:47 pm #
Nice, but actually more Irving Gill than R.M. Schindler.